First Person: Does IFAR Provide a Model?

In the mid 1960s three major international art collectors—Walter Chrysler, Algur Meadows and John Bass—were told that that their collections were riddled with forgeries. The art market was in turmoil. Someone, some entity, some disinterested party, some objective expertise was needed to study the questioned paintings and determine whether or not they were forgeries. And so, in 1969, the International Foundation for Art Research (IFAR) was formed “to fill a need for an impartial, scholarly body … to research and authenticate works of art.” “Until now,” said Dr. Harry Bober of New York University’s Institute of Fine Arts and […]