Fragments from the Book of Balaam Found at Deir Alla
Text foretells cosmic disaster
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Endnotes
Extract from the archaeological notes published in Jacob Hoftijzer and Gerrit van der Kooij, Aramaic Texts from Deir ‘Alla (ATDA), (Leiden, 1976), p. 18.
Henk J. Franken, “Texts from the Persian Period from Tell Deir ‘Alla,” Vetus Testamentum (VT) 17 (1967), pp. 480–481.
Moawiyeh Ibrahim and van der Kooij, “Excavations at Tell Deir ‘Alla, Season 1979,” Annual of the Department of Antiquities of Jordan 23 (1979), p. 50.
Joseph Naveh, “The Date of the Deir ‘Alla Inscription in Aramaic Script,” Israel Exploration Journal 17 (1967), pp. 256–258.
Cf. André Lemaire, “La disposition originelle des inscriptions sur plâtre de Deir ‘Alla,” to be published in Studi epigrafici e linguistici (SEL) 2 (1985).
P. Kyle McCarter, Jr., “The Balaam Texts from Deir ‘Alla: The First Combination,” Bulletin of the American Schools of Oriental Research 239 (1980), pp. 49–60; cf. also Baruch A. Levine, “The Deir ‘Alla Plaster Inscriptions,” Journal of the American Oriental Society 101 (1981), pp. 195–205.
The word is shaddayin, the plural of the related Hebrew word shadday, which is usually translated “Almighty” as in El-Shadday, “God Almighty.” The philological evidence seems to indicate that shadday originally meant “the one of the mountains”; that is, a mountain god. The plural used at Deir ‘Alla may refer to a divine council where major decisions were made.
Only the initial phoneme sh is extant. I have reconstructed Shamash on the basis of the disappearance of the sun suggested in the text. Another reconstruction, suggested by P. Kyle McCarter, Jr., is Sheol, goddess of the underworld and, in rabbinic literature, the realm of the underworld.
Cf. Lemaire, “La langue de l’inscription sur plâtre de Deir ‘Alla,” to be published in Comptes Rendus du Groupe Linguistique d’Etudes Chamito-Sémitiques.
Cf. Lemaire, “Date et origine des inscriptions hébraïques et phéniciennes de Kuntillet Ajrud,” SEL 1 (1984), pp. 131–143. See “Who or What Was Yahweh’s Asherah?” BAR 10:06, by André Lemaire.