What is the difference between the Near Eastern focus on female nudity, almost to the point of vulgarity, and the ‘Pompeian style’ of vulgar male nudity? Why did one civilization produce nude representations of women (almost exclusively) and the other nude representations of men (almost exclusively)?” This question was put to me by the editors of Archaeology Odyssey—along with another, related question. In the September/October 2001 issue, the magazine had run a feature story called 046“Eros in Egypt,” written by New York University scholar David O’Connor. The article was largely about “concealed” erotic imagery in Egyptian art. But […]