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Endnotes
For the source of this text, see Christopher Walker and Michael B. Dick, “The Mesopotamian
Gebhard J. Selz, “‘The Holy Drum, the Spear, and the Harp’: Towards an Understanding of the Problems of Deification in Third Millennium Mesopotamia,” in Sumerian Gods and Their Representations, ed. Irving Finkel and Markham J. Geller (Groningen: Styx, 1997), pp. 185–186, n.8.
Alisdair Livingstone, Mystical and Mythological Explanatory Words of Assyrian and Babylonian Scholars (Oxford: Clarendon Press, 1986), p. 93.
See Walker and Dick, The Induction of the Cult Image in Ancient Mesopotamia: The Mesopotamian
Edward M. Curtis, “Images in Mesopotamia and the Bible: A Comparative Study,” in The Bible in the Light of Cuneiform Literature: Scripture in Context III, Ancient Near Eastern Texts and Studies, ed. William Hallo, Bruce W. Jones and George L. Mattingly (Lewiston, NY: Edwin Mellen Press, 1990), p. 42.
This translation is from Benjamin R. Foster, Before the Muse: An Anthology of Akkadian Literature (Bethesda, MD: CDL Press, 1993), pp. 779–780.
Erra Epic I.127–129. Translation from Luigi Cagni, The Poem of Erra, Sources from the Ancient Near East, ed. Giorgio Buccellati and Marilyn Kelly-Buccellati (Malibu, CA: Undena Publications, 1977).
Riekele Borger, Die Inschriften Asarhaddons, Königs von Assyrien, Archiv für orientforschung 9 (Graz: Weidner, 1956), Esarhaddon 14 Ep 8a:44.
Maximilian Streck, Assurbanipal und die letzten Assyrischen Könige bis zum Untergange Niniveh’s, Vorderasiatische Bibliothek 7 (Leipzig: Zentralantiquariat, 1916), p. 55.
H.W.F. Saggs, The Encounter with the Divine in Mesopotamia and Israel (London: Athlone Press, 1978), p. 15. I have frequently heard this marvelous quotation attributed to me. Alas, it is not so. I only wish I had said it first.