Endnote 2 – Samson et Dalila

For analyses of Delilah in various media, see J. Cheryl Exum, Plotted, Shot, and Painted: Cultural Representations of Biblical Women, JSOT Suppl. Series 215 (Sheffield, UK: Sheffield Academic Press, 1996), pp. 175–237; Elaine Hoffman Baruch, “Forbidden Words—Enchanting Song: The Treatment of Delilah in Literature and Music,” in To Speak or Be Silent: The Paradox of Disobedience in the Lives of Women, ed. Lena B. Ross (Wilmette, IL: Chiron Publications, 1993), pp. 239–249; and Helen Leneman, “Portrayals of Power in the Stories of Delilah and Bathsheba: Seduction in Song,” in Sacred Text, Secular Times: The Hebrew Bible in the Modern World, The Klutznick Chair in Jewish Civilization Center for the Study of Religion and Society Studies in Jewish Civilization 10, ed. by Leonard Jay Greenspoon and Bryan F. LeBeau (Omaha, NE: Creighton Univ. Press, 2000), pp. 227–243.