Image Details
Fred Anderegg
Painted in tempera on dry plaster smoothed over mudbrick walls, this scene appears beside the Torah niche of the third-century C.E. Dura-Europos synagogue, excavated in modern Syria. None of the critical paintings from Dura—which form the earliest extant cycle of Bible scenes—appears in Great Women of the Bible, and neither Miriam nor Jochebed makes Sölle’s roster of the 25 greatest.