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Scala/Art Resource, NY
Strangely, in the sequence of Old Testament stories painted across the Sistine Chapel ceiling, Noah’s sacrifice is out of place: It precedes the Flood. This is no slip by Michelangelo, but a striking clue to the artist’s carefully planned theological program for the ceiling, in which Genesis scenes are treated as precursors to New Testament events, as explained in the sidebar to this article. In Michelangelo’s plan, Noah’s sacrifice corresponds to the sacrifice of Jesus on the cross.