Footnotes

2.

Also, some excavations, limited in scope and scale, were carried out in 1966 and 1968 by Yohanan Aharoni of Tel Aviv University.

3.

A cella is the central cultic place, the “holy of holies” of the temple.

4.

The excavation of this temple was under the supervision of Christa Clamer.

5.

Chalk is a soft form of limestone.

6.

Under the supervision of Yitzhak Eshel.

Endnotes

1.

Since the beginning of the renewed excavations, we have followed Starkey’s system of labeling the archaeological strata of the mound. This worked very well in the upper strata, labeled by him “Levels I–VI.” However, once we penetrated into earlier levels, it became apparent that Starkey’s Levels VIII–VII would have to be radically modified. Thus Level VII as uncovered and labeled by us in Area S is not identical with Starkey’s Level VII. Starkey’s Levels VIII–VII were still used by us in the chronological table published in “Answers at Lachish,” BAR 05:06, which must therefore be used with caution.

2.

Accordingly, the position of Fosse Temple III in the chronological table published in “Answers at Lachish,” BAR 05:06, has to be changed. The study of the pottery has been carried out by Orna Zimhoni and Eli Yanai of the Lachish expedition.

3.

See “What We Know About the Philistines,” BAR 08:04, by Trude Dothan.

4.

Another type of pottery—a local variation of monochrome Mycenaean IIIC:1b pottery—has to be taken into account. This pottery is derived from Aegean/Mycenaean pottery, and is typologically a forerunner of Philistine painted bichrome pottery. Its appearance in Tel Ashdod and Tel Miqne (ancient Ekron) led Trude and Moshe Dothan, the excavators of these sites, to conclude that this class of pottery represents an earlier wave of invading Sea Peoples into the country at the end of the 13th century B.C. However, the presently available data—first and foremost the fact that this pottery was used concurrently with painted Philistine pottery in these sites—makes the adoption of such a theory very difficult.